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X-WR-CALDESC:Events for B104.7 Manhattan's Hometown Country Station
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DTSTART;TZID=America/Chicago:20251111T190000
DTEND;TZID=America/Chicago:20251111T220000
DTSTAMP:20260404T093756
CREATED:20250909T160206Z
LAST-MODIFIED:20250909T160206Z
UID:362833-1762887600-1762898400@b1047.com
SUMMARY:The War and Treaty
DESCRIPTION:Under 21 with Guardian\n\nFounded in 2014 by the husband-and-wife duo Michael Trotter Jr. and Tanya Trotter\, The War And Treaty has emerged as one of the most electrifying new acts in American music. Recently earning their first ever GRAMMY nominations for Best New Artist and Best American Roots Song for “Blank Page\,” they also received this year their first ever Duo of the Year nomination from the Country Music Association\, Vocal Duo nomination from the Academy of Country Music\, plus recognition by the Country Music Hall of Fame\, the Rock & Roll Hall of Fame\, the Grand Ole Opry\, and the Americana Music Association including earning AMA Duo/Group of the Year for the second straight year. \nWith a lionhearted sonic blend\, both roaring with passion and tender to the touch\, The Tennessean notes\, “they are unlike any other act in music.” The War And Treaty’s major label debut album Lover’s Game (Mercury Nashville)\, was met with critical praise with Associated Press claiming\, “The colossally talented pair continue their commando\, no-limits journey to the top of the music world.” Drawing respect across the board\, they have gone on to appear as top-flight collaborators including the latest “Hey Driver” with Zach Bryan. \nThe War And Treaty has captivated audiences across the globe from North America to Europe\, Australia and beyond\, while headlining their own shows and opening for a diverse group of living legends: Al Green\, Brandi Carlile\, Chris Stapleton\, Jason Isbell\, John Legend\, Lauren Daigle\, and Van Morrison among them. \nhttps://www.thewarandtreaty.com/
URL:https://b1047.com/concert/the-war-and-treaty/
LOCATION:Knuckleheads\, 2715 Rochester Ave.\, Kansas City\, MO\, 64120\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251108T184500
DTEND;TZID=America/Chicago:20251108T230000
DTSTAMP:20260404T093756
CREATED:20250815T134047Z
LAST-MODIFIED:20250815T135103Z
UID:357298-1762627500-1762642800@b1047.com
SUMMARY:Riley Green
DESCRIPTION:Multi-platinum\, multi-award-winning singer-songwriter Riley Green announced the addition of eight new dates to his highly successful Damn Country Music Tour\, including a stop at T-Mobile Center on Nov. 8. \nKnown for his rugged charm and down-to-earth stage presence\, the newly added dates further underscore the overwhelming demand and continued momentum behind Green’s 2024 tour\, as he brings his signature sound and chart-topping hits to fans across North America.
URL:https://b1047.com/concert/riley-green/
LOCATION:T-Mobile Center\, 1407 Grand Blvd\, Kansas City\, MO\, 64106\, United States
ATTACH;FMTTYPE=image/jpeg:https://b1047.com/wp-content/uploads/2025/08/494493223_18498916720036437_899901578354133717_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251107T203000
DTEND;TZID=America/Chicago:20251107T230000
DTSTAMP:20260404T093756
CREATED:20250909T161634Z
LAST-MODIFIED:20250909T161634Z
UID:362848-1762547400-1762556400@b1047.com
SUMMARY:The Ozark Mountain Daredevils
DESCRIPTION:You do not want to miss this opportunity to see The Ozark Mountain Daredevils\, performing live at the Star Pavilion. With hits like “If You Wanna Get To Heaven” and “Jackie Blue\,” this appropriately dubbed “ragtag collection of hippies\, bohemians\, and musicians of no fixed ambition” will certainly be a night to remember.
URL:https://b1047.com/concert/the-ozark-mountain-daredevils/
LOCATION:Ameristar Kansas Ciy\, 3200 N. Ameristar Dr.\, Kansas City\, MO\, 64161\, United States
ATTACH;FMTTYPE=image/jpeg:https://b1047.com/wp-content/uploads/2025/09/10982016_10982818Fsw_AKC_OzarkMountainDairdevils_Nov8_Sitecore_WEB.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251107T200000
DTEND;TZID=America/Chicago:20251107T230000
DTSTAMP:20260404T093756
CREATED:20250909T165301Z
LAST-MODIFIED:20250909T165301Z
UID:362907-1762545600-1762556400@b1047.com
SUMMARY:Kip Moore
DESCRIPTION:KIP MOORE\nSolitary Tracks Fall Tour \n\nAll Ages\nSupport acts subject to change.\nWear your Cotillion merch and jump to the front of the GA line. A limited number of table reservations are available by calling 316-722-4201 or in person at The Cotillion. Coat check is open during events to check your coats\, hats\, merch and more. Coat check is located next to merch by the front doors. All sales are final. No exchanges or refunds unless a show is cancelled or postponed.  \nKIP MOORE ULTIMATE VIP Q&A EXPERIENCE \nOne premium reserved ticket – OR – One GA standing ticket* \nPrivate pre-show Q&A with Kip Moore** \nGroup photo with Kip Moore \nCelebratory pre-show toast with Kip Moore (where permitted)*** \nLIMITED! Custom Kip Moore Solitary Tracks Tour gift\, only available to Ultimate VIPs \nAutographed handwritten printed lyric sheet\, featuring a special interactive message from Kip Moore \nVIP-exclusive Kip Moore gift item \nOfficial VIP laminate \nTour merchandise shopping opportunity before doors (where available) \nEarly entry to the venue \nDesignated check-in and on-site VIP event staff \n*Location may vary. See specific date for details. \n**All questions may not be answered during Q&A. \n***Local liquor laws apply. \n  \nKIP MOORE VIP Q&A EXPERIENCE \nOne premium reserved ticket – OR – One GA standing ticket* \nPrivate pre-show Q&A with Kip Moore** \nGroup photo with Kip Moore \nCelebratory pre-show toast with Kip Moore (where permitted)*** \nHandwritten printed lyric sheet\, featuring a special interactive message from Kip Moore \nVIP-exclusive Kip Moore gift item \nOfficial VIP laminate \nTour merchandise shopping opportunity before doors (where available) \nEarly entry to the venue \nDesignated check-in and on-site VIP event staff \n*Location may vary. See specific date for details. \n**All questions may not be answered during Q&A. \n***Local liquor laws apply. \n  \nKIP MOORE EARLY ENTRY VIP PACKAGE \nOne GA standing ticket \nOfficial VIP laminate \nEarly entry to the venue* \nDesignated check-in and on-site VIP event staff \n*GA early entry will be AFTER Ultimate VIP Q&A and VIP Q&A Experience package holders
URL:https://b1047.com/concert/kip-moore/
LOCATION:The Cotillion\, 11120 W. Kellogg St.\, Wichita\, KS\, 67209\, United States
ATTACH;FMTTYPE=image/jpeg:https://b1047.com/wp-content/uploads/2025/09/etix-KIP_386221751885550.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251024T200000
DTEND;TZID=America/Chicago:20251024T230000
DTSTAMP:20260404T093756
CREATED:20250909T160028Z
LAST-MODIFIED:20250909T160028Z
UID:362810-1761336000-1761346800@b1047.com
SUMMARY:Margo Price
DESCRIPTION:Under 21 with Guardian\n\n**VIP Ticket Option available for a limited time! Info below**\nFIRST – Select your ticket type – GA or Reserved seat. THEN – on the checkout screen use the drop down menu to change to the VIP package upgrade. Call the Knuckleheads Box Office @ 816-483-1456 if you have any questions about the upgrade\n \n\nOne General Admission Ticket\nIntimate Pre-Show Acoustic Performance by Margo Price\nQ&A With Margo Price\nGroup Photo With Margo Price\nExclusive Limited-Edition Tour Poster\, Signed By Margo Price (Exclusive To VIP Guests)\nOne (1) Specially Designed Margo Price Tote Bag\nOne (1) Commemorative VIP Laminate\nPre-Show Merchandise Shopping Opportunity\nVenue First Entry (where applicable)\n\nNearly a decade ago\, Margo Price turned Nashville on its head with her breakthrough\, beloved debut solo album\, Midwest Farmer’s Daughter. Released in the throes of bro-country and before pop stars were crossing over into the genre left and right\, it showcased an artist completely unafraid to double down not only on herself\, but what she’d always loved: classic country songs written from the intellect and the gut\, hell-bent on truth-telling and both timeless and urgent all at once. Respected by her peers\, praised by critics and beloved by her fans\, Price created a lane where independent-minded\, insurgent country music can exist and thrive alongside the mainstream\, and became an ardent fighter for her beliefs in a genre where the norm is to shut up and sing. A trailblazer and a champion for the craft\, Price redefined what it meant to be a modern country artist. \nAnd now she’s back with an exquisite\, truly timeless album that reconnects with her roots and pays tribute to the art of the country song\, inspired in part by the legends whom she now calls colleagues and friends. Hard Headed Woman is both a look forward and a look back: a way to march forward while staying true to yourself when the path of less resistance is right there in front of us\, and short cuts are around every corner. And a way to look back when we need to trim what is no longer working\, and to stay connected with where we’re from. It is a promise and a manifesto\, a love song to both a city and a genre\, and a defiant cry for individuality. \nIn creating Hard Headed Woman\, Price brought all of her power as one of our most beloved and respected songwriters to craft a deep exploration of love and America in a time of unprecedented uncertainty. Featuring appearances from Tyler Childers\, co-writes with Rodney Crowell and a Waylon Jennings song that his widow\, Jessi Colter\, urged her to sing\, it is country music as only Price can make it: free of rules\, cherishing tradition\, hard headed to the core but with a delicate\, beating heart. \nSince releasing Midwest Farmer’s Daughter\, Price has barely slowed down. She’s made four records\, played Saturday Night Live\, been nominated for a Grammy\, toured the world alongside artists like Chris Stapleton and Willie Nelson\, released a lauded memoir (Maybe We’ll Make It\, due on paperback September 2nd)\, became an in-demand producer and was appointed as the first female board member of Nelson’s Farm Aid. And she’s been fearless when it came to genre\, venturing into psychedelic rock on her most recent\, Jonathan Wilson-produced record\, Strays. It would have been easiest to just stay that course\, and keep running. But Price doesn’t follow success or comfort. She follows the art. \nIt took a whole lot of hard work and honesty with herself and others to get there\, but that’s never stopped Price before. “I made the decision that I had to rebuild everything from the ground up\,” Price says. “There’s all this pressure to be pumping out content\, and I felt the opposite in the way I wanted to approach this record and my life in general.” \nPrice had also established herself as one of the most passionate\, vocal artists in country music and beyond when it came to standing up for political and personal causes\, from the presidential election\, to abortion to gun control: happily hard headed when it came to the fight for equality and justice\, especially for the working class and underserved in our society. Price has always brilliantly woven her activism into her songs\, but her role as a spokesperson had started to overtake\, on occasion\, her role as a songwriter. She wanted to focus on using her written word to deliver the most potent punch of all. \n“I always hope to do like Johnny Cash did\,” Price says\, “which is speak up for the common man and woman. But there have been so many threats and anger and vitriol over the years\, when I am only coming from a place of love.” \nPrice realized she just needed a break from everything outside of the bubble of family life and her art. She started spending more time at home\, writing songs alone and with her husband\, Jeremey Ivey. She started popping up in the dive bars and tiny venues around Nashville where she got her start\, sometimes just to play a country cover or two or dance with the crowd. She refused guidance to write for pop stars or compromise her values for a quick buck. Most of all\, she turned the emphasis in her music back to songwriting\, exactly where she began. \n“So much of Strays was leaning into this psychedelic\, textural territory\,” says Price. The music lent itself to vibrant\, heavy stage jams\, with Price often hopping behind the drumkit and bruising her thigh from a tambourine beat. She found herself longing for the days when it was just her and her guitar\, playing at an East Nashville dive bar. “I always knew\,” she adds\, “I would come back to this more rooted sound.” \nHard Headed Woman is rooted to its core. Rooted in Price’s history and struggle to make it as a musician for so many years in a town that prizes uniformity and the bottom line\, rooted in the country and folk sounds that have become her signature\, rooted in the simplicity of a few key collaborators instead of songs-by-committee. At the heart of Price’s work is her creative partnership with Ivey\, with whom she describes as having a “soul connection.” “I’m a songwriter\,” Price says. “I’m not somebody who goes out and needs five people to craft a song\, and then tack my name on it. That’s never been my style. I have something to say.” \nSomething to say\, nothing to prove. The first song they wrote for the album that would become Hard Headed Woman was “Close to You\,” a simple\, pining call for a lover that is infused with the sounds of the desert. It’s unfettered and truth-telling\, accented by some flamenco guitar and Price’s gorgeous\, urgent vocals. “We played the jukebox while democracy fell\,” Price sings\, never letting her songs fall out of the context in which they exist. It’s the kind of thing that only she could write\, carrying both love and fear in one single line. \nAs more songs started to form\, an early boost of confidence came from her friends Rodney Crowell and Emmylou Harris\, who heard some of the work at a political fundraiser and encouraged Price to keep going. “I have both of them to thank for building me up and making me believe in the songs I am writing in this season of my life\,” Price says. Crowell remained not only an inspiration and supporter of the album but a contributor: he co-wrote two songs with Price and Ivey. \nThe album that unfolded from there is drenched in Price’s unique story and unshakeable instincts: while Midwest Farmer’s Daughter was about her journey from childhood to Nashville\, Hard Headed Woman is very much her battle since from dive bars to tour buses\, through parenthood and marriage\, through scrutiny and sacrifice all while fighting constantly for what she believes in\, and the music she loves. It begins with a proclamation on the prelude\, which serves as the album’s mission statement: or\, Price puts it\, “a disclaimer and reminder that I don’t owe you fucking shit.” \nSongs like the album’s lead single\, “Don’t Let the Bastards Get you Down\,” speak for the downtrodden and the forgotten\, an “anthem for people who are being overlooked in society and need to be lifted up\,” Price says\, “because we are up against so much right now.” As so many of Price’s songs do\, it speaks both for the personal and the political all at once. Price was inspired by the message Kris Kristofferson whispered to Sinead O’Connor when she was booed on stage at a Bob Dylan 30th Anniversary show\, and even got Kristofferson’s widow’s blessing to include his name on the credits. “I always admired Kris for how he stood by her in that moment\, instead of pulling her off the stage like they told him\,” Price says. It serves as a reminder to anyone who encounters resistance in the face of fighting for justice to keep going\, especially when it would be so much easier to capitulate and cower. \n“The song was originally written for a movie that never happened\, but it feels so timely with everything that’s going on in the world\,” Price explains. “The phrase\, ‘Don’t Let The Bastards Get You Down’ originates from Margaret Atwood’s brilliant 1985 piece of literature\, The Handmaid’s Tale. It’s referred to in Latin and used as a rallying cry for resistance against the oppressive regime that symbolizes resilience and hope in the face of adversity. Nolite te Bastardes Caborundorum.” \nThat spirit resonates all across the songs of Hard Headed Woman. The blistering “Don’t Wake Me Up” was based around some writings that Ivey stumbled upon in one of Price’s notebooks\, inspired in part by her deep readings of Frank Stanford\, one of her favorite poets due to his freewheeling work free of boundaries. They spun it all into song in minutes that chugs with the essence of Dylan’s “Subterranean Homesick Blues”: “The way this world is going\, ain’t where I’m at\,” Price howls in her powerful\, unmistakable voice. “Nowhere is Where\,” turns slow and contemplative\, road-worn but never broken\, the call of someone who has been to the mountain but never forgets the prairie below. And “Losing Streak” whirls in with an organ and out with a weary\, world-worn defiance: our worst times don’t define us\, but they’re always part of who we are. \nThere are songs that go back to the beginning of Price’s early grind\, like the western-tinged “Wild at Heart\,” reflecting on how much her life and the city of Nashville has changed over the years – and how important it is to stay true to exactly who you are despite it all. Another\, called “Red Eye Flight\,” is about both leaving a lover and also leaving her longtime band the Pricetags. “I’ve been with those players for ten\, thirteen years\,” she says. “But I could feel that I needed to make a change\, and to change texturally what’s going on with the band. But it’s a familial bond\, different than a friendship.” \nThere are a few choice covers and cuts\, too: “Love Me Like You Used To Do” is by Price’s friend Steven Knudson\, an unsung Nashville writer on whom she hopes to shine a spotlight (helping to elevate the town’s incredibly talented but buried voices is one of Price’s favorite pastimes). Friend Tyler Childers joins Price on that waltzing country ballad\, while “I Just Don’t Give a Damn” is Price’s “Jolene goes to Memphis” take on the Jimmy Peppers and George Jones classic. And showcasing how Price has been trusted by the greats to lead the next generation of country music renegades\, “Kissin You Goodbye” was given to Price by Jessi Colter\, Waylon Jennings’ widow\, when Price was producing her record. They’re songs chosen to appreciate the past and the present as she sees it – not as Music Row or the algorithm might dictate – and place Price squarely amongst her heroes as a living and breathing part of the new country tradition. \nWhen it came time to record Hard Headed Woman\, it was important for Price to keep that ethos alive\, decamping to Nashville’s RCA Studio A and reuniting with producer Matt Ross-Spang\, with whom she made her first two solo albums. Though she has worked with everyone from Sturgill Simpson to Jonathan Wilson since\, it was Spang’s vocal rebuke of easy studio shortcuts that made her eager to reunite again. “He’s so unpretentious\,” Price says. “He fully believes in me\, he fully believes in my songs. He got us back to feeling it in your gut and not needing everything to be so perfect.” \nIt felt truly significant for Price to make the album in Nashville\, a city where she’s lived for over two decades and played a seminal role in its transformation\, yet somehow never recorded an album in the place she’s called home. The historic RCA Studio A helped connect Price even closer to the legacy of songwriting she holds so dear\, a place where everyone from Dolly Parton to John Prine to Loretta Lynn have made albums. “It felt like there were ghosts and spirits just hanging out\,” Price says. In perfect kismet\, she also launched her own signature Gibson J-45 guitar\, inspired by her 1960’s Gibson she’s had by her side for years as her career took off. It’s all part of the continuity that she wishes to create with her art\, not just with timeless songs but inspiring future generations of women\, mothers and artists in general who don’t want to sacrifice their vision\, moral compass or family life in favor of mainstream success. \nAt its core\, Hard Headed Woman is about that furious instinct to never waver\, especially when ourselves\, our values and our future is so clearly on the line. As she sings on the title track\, “I ain’t ashamed\, I just am what I am.” \n“I hope this album inspires people to be fearless and take chances and just be unabashedly themselves\,” Price says\, “in a culture that tries as hard as it can to beat us into all being the same.” \nVip Package fine print\nAll package elements will be rendered invalid if resold. Name changes will be issued at the sole discretion of 237 Global. VIP instructions will be sent via email no later than three days (3) prior to the concert. If you do not receive this email three days (3) prior please email info@237global.com. All packages and contents are non-transferable; no refunds or exchanges; all sales are final. All VIP package items and experiences are subject to change. Please note that the information provided at the time of purchase (e-mail and mailing address) is the same information that will be utilized for individual contact requirements where applicable. 237 Global\, the artist\, tour\, promoter\, ticketing company\, venue or any other affiliated parties are not responsible for outdated or inaccurate information provided by the consumer at the time of purchase. If you have any questions regarding your VIP package elements\, or have not received your package information within three days (3) of the concert date\, please email info@237global.com. \nhttps://www.margoprice.net/
URL:https://b1047.com/concert/margo-price/
LOCATION:Knuckleheads\, 2715 Rochester Ave.\, Kansas City\, MO\, 64120\, United States
ATTACH;FMTTYPE=image/jpeg:https://b1047.com/wp-content/uploads/2025/09/margoprice25450.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251024T193000
DTEND;TZID=America/Chicago:20251024T230000
DTSTAMP:20260404T093756
CREATED:20250917T162105Z
LAST-MODIFIED:20250917T162105Z
UID:365017-1761334200-1761346800@b1047.com
SUMMARY:Warren Zeiders
DESCRIPTION:We are a cashless venue. \nNo oversized bags/backpacks permitted. (With the exception of Medical and Diaper Bags). https://cdarena.info/a-zguide \nPre Party Destination at Carmen’s Cantina and Mexican Grill \nCDA Loyalty Members can pick up a concert poster through the App starting 24 hours before the show! \nDownload our Mobile App for all up to date information and real time updates!
URL:https://b1047.com/concert/warren-zeiders/
LOCATION:Cable Dahmer Arena\, 19100 E. Valley View Parkway\, Independence\, KS\, 640555\, United States
ATTACH;FMTTYPE=image/jpeg:https://b1047.com/wp-content/uploads/2025/09/WarrenZeiders_2025_1920x1080-76e435e75d.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251024T193000
DTEND;TZID=America/Chicago:20251024T223000
DTSTAMP:20260404T093756
CREATED:20250909T171143Z
LAST-MODIFIED:20250909T171143Z
UID:362926-1761334200-1761345000@b1047.com
SUMMARY:Gary Allan
DESCRIPTION:With the allure of a modern day outlaw\, Gary Allan has won over fans\, peers\, and critics with his signature blend of smoldering vocals\, rebellious lyrics\, and raucous live performances. While becoming a force on the country music scene\, Allan has remained true to his artistic voice each step of the way. The California native has released nine studio albums selling over 8 million albums\, been certified platinum on three back-to-back albums\, and been certified gold five times. Allan has five #1 hits on country radio and fourteen Top 10 hits to his credit. He has amassed over 2.8 billion total streams and has debuted at #1 on the Billboard Country Album chart four times\, along with his SET YOU FREE album debuting at the top of the Billboard 200 (Pop Chart). He is described as “dark and dreamy” in Entertainment Weekly\, “soulful and rough around the edges” in Playboy\, and deemed a “maverick” by Rolling Stone.  He sells out venues as a headliner from NY to LA and has appeared on The Tonight Show with Jay Leno\, Late Show with David Letterman\, Late Night with Jimmy Fallon\, Live with Kelly and Michael\, and Jimmy Kimmel Live. He has also landed on the covers of Country Weekly\, Pollstar\, and People magazine.
URL:https://b1047.com/concert/gary-allan/
LOCATION:The Stiefel Theatre\, 151 S. Santa Fe\, Salina\, KS\, 67401\, United States
ATTACH;FMTTYPE=image/jpeg:https://b1047.com/wp-content/uploads/2025/09/687f9e533994b1b81b9565d5_GA_EA-8-0057_GPub_HIres_WEB-00000002-1-p-2000.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251023T200000
DTEND;TZID=America/Chicago:20251023T230000
DTSTAMP:20260404T093756
CREATED:20250909T164127Z
LAST-MODIFIED:20250909T164127Z
UID:362895-1761249600-1761260400@b1047.com
SUMMARY:Tyler Halverson
DESCRIPTION:More Hearts Than Horses Tour
URL:https://b1047.com/concert/tyler-halverson/
LOCATION:The Bottleneck\, 737 New Hampshire St.\, Lawrence\, KS\, 66044\, United States
ATTACH;FMTTYPE=image/jpeg:https://b1047.com/wp-content/uploads/2025/09/10.23.25-TYLER-HALVERSON-BOTTLENECK-768x960-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251023T190000
DTEND;TZID=America/Chicago:20251023T220000
DTSTAMP:20260404T093756
CREATED:20250909T162525Z
LAST-MODIFIED:20250909T162525Z
UID:362860-1761246000-1761256800@b1047.com
SUMMARY:Tracy Byrd
DESCRIPTION:Tracy Byrd became a household name on the Country Music Scene in 1993 when his third single\, called “Holdin’ Heaven”\, off of his MCA Records\, self-titled debut album\, hit #1 on the Billboard Country Charts. Since that day Byrd has had 18 top ten hots\, including songs like Don’t take Her She’s All I Got\, Watermelon Crawl\, I’m From the Country\, Ten Rounds with Jose Cuervo\, and of course Academy of Country Music Song if the Year Keeper of the Stars\, sold over 7 Million records\, 4 Gold and a Double Platinum album\, and played over 4000 shows.
URL:https://b1047.com/concert/tracy-byrd/
LOCATION:Prairie Band Casino & Resort\, 12305 150th Rd.\, Mayetta\, KS\, 66509\, United States
ATTACH;FMTTYPE=image/png:https://b1047.com/wp-content/uploads/2025/09/Tracy-Byrd-1024x731-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251018T203000
DTEND;TZID=America/Chicago:20251018T230000
DTSTAMP:20260404T093756
CREATED:20250909T161822Z
LAST-MODIFIED:20250909T161822Z
UID:362851-1760819400-1760828400@b1047.com
SUMMARY:Travis Tritt
DESCRIPTION:More than thirty-five years after Travis Tritt launched his music career\, the Southern rock-influenced artist continues to sell-out shows and stay true and relevant to country music fans across the globe\, live in the Star Pavilion at Ameristar Kansas City.
URL:https://b1047.com/concert/travis-tritt/
LOCATION:Ameristar Kansas Ciy\, 3200 N. Ameristar Dr.\, Kansas City\, MO\, 64161\, United States
ATTACH;FMTTYPE=image/jpeg:https://b1047.com/wp-content/uploads/2025/09/13394748_AKC_TravisTritt_1200x570.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251014T200000
DTEND;TZID=America/Chicago:20251014T230000
DTSTAMP:20260404T093756
CREATED:20250909T163655Z
LAST-MODIFIED:20250909T163655Z
UID:362892-1760472000-1760482800@b1047.com
SUMMARY:Marcus King Band
DESCRIPTION:With special guest Angel White
URL:https://b1047.com/concert/marcus-king-band/
LOCATION:Liberty Hall\, 644 Massachusetts St.\, Lawrence\, KS\, 66049\, United States
ATTACH;FMTTYPE=image/jpeg:https://b1047.com/wp-content/uploads/2025/09/1jwFadZhjmdseJoTiqIlbaZ5KP8IyPHYD.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251011T200000
DTEND;TZID=America/Chicago:20251011T230000
DTSTAMP:20260404T093756
CREATED:20250909T163448Z
LAST-MODIFIED:20250909T163448Z
UID:362868-1760212800-1760223600@b1047.com
SUMMARY:Molly Tuttle
DESCRIPTION:With support from Joshua Ray Walker
URL:https://b1047.com/concert/molly-tuttle/
LOCATION:Liberty Hall\, 644 Massachusetts St.\, Lawrence\, KS\, 66049\, United States
ATTACH;FMTTYPE=image/jpeg:https://b1047.com/wp-content/uploads/2025/09/1_F_ibaZyGJ1SJgL_jPqfGBMgm2LqlY1J.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251005T180000
DTEND;TZID=America/Chicago:20251005T210000
DTSTAMP:20260404T093756
CREATED:20250909T144036Z
LAST-MODIFIED:20250909T144036Z
UID:362807-1759687200-1759698000@b1047.com
SUMMARY:Deana Carter
DESCRIPTION:Under 21 with Guardian\n\n25th Anniversary Edition of the Groundbreaking 5X Platinum Debut Album\nDid I Shave My Legs for This? \nHow many years has it been since you had your first taste of love? And how many years have you spent cherishing that love? It’s funny how those memories\, they last. \nFor Deana Carter\, who brought that very special kind of love to life in her debut single “Strawberry Wine\,” it’s been 25 years. And now\, she’s celebrating her 5X Platinum debut album from 1996 — Did I Shave My Legs for This? — with an anniversary reissue of remastered songs\, plus two new tracks which Carter produced herself that feature country music’s brightest stars from several eras. \nBut before you can even think about that new release\, you have to throw yourself back to the original one in the 90s\, when women were all over the top of the charts\, and newcomer Carter was able to waltz right in and reach No. 1 with “Strawberry Wine.” Her very first single off of her very first album went on to be named the Country Music Association’s Single of the Year and Song of the Year in 1997\, as well as nominated for a GRAMMY and an Academy of Country Music award. \nhttps://deana.com/
URL:https://b1047.com/concert/deana-carter/
LOCATION:Knuckleheads\, 2715 Rochester Ave.\, Kansas City\, MO\, 64120\, United States
ATTACH;FMTTYPE=image/jpeg:https://b1047.com/wp-content/uploads/2025/09/deanacarter450.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250927T190000
DTEND;TZID=America/Chicago:20250927T230000
DTSTAMP:20260404T093756
CREATED:20250909T141806Z
LAST-MODIFIED:20250909T141846Z
UID:362779-1758999600-1759014000@b1047.com
SUMMARY:Keith Urban
DESCRIPTION:The High and Alive World Tour With Special Guests Chase Matthew\, Alana Springsteen and Karley Scott Collins.
URL:https://b1047.com/concert/keith-urban/
LOCATION:CHI Health Center\, 455 N. 10th St.\, Omaha\, 68102\, United States
ATTACH;FMTTYPE=image/jpeg:https://b1047.com/wp-content/uploads/2025/09/Static_Social-FacebookPR_1200x630_KeithUrban_FullSupport_2024_Regional_CHIHealthCenterOmaha_0927.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250927T190000
DTEND;TZID=America/Chicago:20250927T223000
DTSTAMP:20260404T093756
CREATED:20250909T162932Z
LAST-MODIFIED:20250909T162932Z
UID:362864-1758999600-1759012200@b1047.com
SUMMARY:Charles Wesley Godwin
DESCRIPTION:The Lonely Mountain Town Tour \nw/ Kolton Moore & Clever Few \nDoors 7pm / Show 8pm \nAll-ages show
URL:https://b1047.com/concert/charles-wesley-godwin/
LOCATION:Grinders KC\, 1826 Locust St.\, Kansas City\, MO\, 64108\, United States
ATTACH;FMTTYPE=image/webp:https://b1047.com/wp-content/uploads/2025/09/CharlesWesleyGodwin_GrindersKC_1920x1080.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250926T203000
DTEND;TZID=America/Chicago:20250926T230000
DTSTAMP:20260404T093756
CREATED:20250909T162023Z
LAST-MODIFIED:20250909T162023Z
UID:362854-1758918600-1758927600@b1047.com
SUMMARY:Shenandoah
DESCRIPTION:Shenandoah became known for delivering songs that celebrated the importance of faith and family while reveling in the joys of small town life. “Next to You\, Next to Me” topped the charts for three weeks and “Somewhere in the Vicinity of the Heart\,” a beautiful duet with Alison Krauss\, won a Country Music Association Award for Vocal Event of the year and a GRAMMY® for Best Country Performance by a Duo or Group with Vocal. Shenandoah also won the Academy of Country Music’s Vocal Group of the Year in 1991.
URL:https://b1047.com/concert/shenandoah/
LOCATION:Ameristar Kansas Ciy\, 3200 N. Ameristar Dr.\, Kansas City\, MO\, 64161\, United States
ATTACH;FMTTYPE=image/jpeg:https://b1047.com/wp-content/uploads/2025/09/15305014_AKC_Shenandoah_1200x570.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250926T190000
DTEND;TZID=America/Chicago:20250926T230000
DTSTAMP:20260404T093756
CREATED:20250917T133848Z
LAST-MODIFIED:20250917T133848Z
UID:364968-1758913200-1758927600@b1047.com
SUMMARY:Jordan Davis
DESCRIPTION:With Special Guests Mitchell Tenpenny and Vincent Mason \nWe are a cashless venue. \nNo oversized bags/backpacks permitted. (With the exception of Medical and Diaper Bags). https://cdarena.info/a-zguide \nPre Party Destination at Carmen’s Cantina and Mexican Grill \nCDA Loyalty Members can pick up a concert poster through the App starting 24 hours before the show! \nDownload our Mobile App for all up to date information and real time updates!
URL:https://b1047.com/concert/jordan-davis/
LOCATION:Cable Dahmer Arena\, 19100 E. Valley View Parkway\, Independence\, KS\, 640555\, United States
ATTACH;FMTTYPE=image/jpeg:https://b1047.com/wp-content/uploads/2025/09/Static_Social-Instagram_1080x1080_JordanDavis_2025_Regional_CableDahmerArena_0926.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250925T200000
DTEND;TZID=America/Chicago:20250925T230000
DTSTAMP:20260404T093756
CREATED:20250909T165039Z
LAST-MODIFIED:20250909T165039Z
UID:362904-1758830400-1758841200@b1047.com
SUMMARY:Charles Wesley Godwin
DESCRIPTION:The Lonely Mountain Town Tour \nWith Special Guest Kolton Moore and the Clever Few \nAll Ages\nSupport acts subject to change.\nWear your Cotillion merch and jump to the front of the GA line. Coat check is open during events to check your coats\, hats\, merch and more. Coat check is located next to merch by the front doors. All sales are final. No exchanges or refunds unless a show is cancelled or postponed.  \nFollowing Charles Wesley Godwin’s 2023 critically acclaimed Family Ties — a highly personal\, 17-song diary-like LP that was both universally praised and catapulted the West Virginian singer-songwriter to new heights in his career — the rising musician now returns with a stunning 7-track EP\, Lonely Mountain Town\, due out February 28\, via Big Loud. A quieter\, more contemplative affair than Family Ties\, Lonely Mountain Town contains some of the most thrilling songs of Godwin’s career. Written principally on the road\, Lonely Mountain Town is at its heart a collection of on-the-move snapshots and quiet moments in life set to tune: these are tales of a traditional country-songwriting mindset. Godwin worked on the EP with key collaborators\, from his longtime producer\, guitarist and bandmate\, Al Torrence\, to his Big Loud labelmate ERNEST (“Dead To Rights”)\, and even one of his musical heroes\, Scott Avett (a cover of Jason Molina’s “Hammer Down”). \nGodwin has been on a steady upward climb following his beloved debut album\, 2019’s Seneca. Alongside his longtime band\, the Allegheny High\, the musician has developed a reputation as a thrilling and beautifully raucous live performer. In 2024\, Godwin appeared on ESPN’s Sportscenter\, performed on The Late Show with Stephen Colbert\, Jimmy Kimmel Live! and CBS Saturday Sessions. He also made his Stagecoach and Bonnaroo debuts. This year\, Godwin returns to the road for a slew of sold-out shows in conjunction with the release of Lonely Mountain Town.
URL:https://b1047.com/concert/charles-wesley-godwin-2/
LOCATION:The Cotillion\, 11120 W. Kellogg St.\, Wichita\, KS\, 67209\, United States
ATTACH;FMTTYPE=image/jpeg:https://b1047.com/wp-content/uploads/2025/09/etix-Charles_378581747735736.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250925T190000
DTEND;TZID=America/Chicago:20250925T230000
DTSTAMP:20260404T093756
CREATED:20250909T143440Z
LAST-MODIFIED:20250909T143504Z
UID:362803-1758826800-1758841200@b1047.com
SUMMARY:Hailey Whitters with Special Guest Emily Nenni
DESCRIPTION:Under 21 with guardian \nHailey Whitters has an endearing habit of suggesting she’s perennially late to the party. “I’ve always just felt like a late bloomer\,” she says\, with a sigh that turns into a laugh. \nWith the release of her debut album Black Sheep (October 2\, 2015 via Carnival Music)\, Whitters proves she was well worth the wait. Produced by ace session guitarist Derek Wells\, Black Sheep is a soulful collection that turns sad stories into bold celebrations of people society often shames\, layered over honky tonk and rootsy rock. \n“It’s been really therapeutic for me to put it out\,” Whitters says of the album. “Just being able to know what I want to say and get that out to people has been cool on my end.” \nWhitters grew up in Shueyville\, Iowa\, population just shy of 600. “It’s such a little town. It’s getting bigger\, but we don’t even have a post office\,” she says. “We have two bars\, a wine cellar\, and a church.” \nThe oldest of six children born to a large Catholic family\, Whitters grew up a determined but unexpected artist\, drawn to songs and singers but unsure why. “I didn’t grow up in a super musical family\,” she says. “I just had a weird inkling to do music.” The Dixie Chicks\, Trisha Yearwood\, Patty Loveless\, and other women who drove 90s country radio were her gateway heroines\, which led to a deep dive into classic country\, and ultimately\, Americana storytellers such as Patty Griffin\, John Prine\, and Gillian Welch. \n“I took my first trip to Nashville when I was 16 and fell in love\,” Whitters says. “I immediately knew I wanted to move here.” A year later\, she did. She also enrolled in college\, and paid her proverbial dues as a nanny\, waitress\, and salon receptionist before signing with left-of-center lighthouse Carnival Music in 2012. \n“When I was younger\, I just mimicked people that I admired\,” Whitters says. “I learned how to tell a story.” With an arresting voice effortlessly rooted in honky tonk’s long tradition of angelic sopranos who are equally comfortable mourning and raising hell\, she has spent the last several years discovering that she has something of her own to say––along with a unique way to say it. \nWhitters often writes and sings songs that detail the search for acceptance––of self or of others––sometimes dreamily\, other times with rollicking irreverence. Features in No Depression and The Bluegrass Situation\, a Daytrotter Session\, several nods on 2016 artists-to-watch lists\, and other praise have introduced her to a larger audience\, who has responded with open arms. “I love to hear from people about how one of my songs has touched them. It just makes me feel like I’m doing something bigger than myself\,” she says. \nBlack Sheep’s title track\, written with the Wrights’ Adam Wright\, moodily canvasses the rewards and frustrations of sticking out\, and ultimately offers a defiant resolution keep going her own way. “I feel that way a lot\, especially in this town\,” she says. “To do what nobody’s doing…it’s kind of cool\, fuel for the fire. It’s invigorating to be different.” \nThe guitar-soaked stroll “Late Bloomer” is an autobiographical ode to lollygagging in a variety of situations. “I was the oldest of six\, so I was very naïve\, I felt like\,” she says. “But I finally came to accept that it’s actually okay to figure out who you are and what you want later in life.” \nWhitters penned live-show standout “One More Hell” alone after her little brother was killed in a car accident. “He was 19. It was awful\,” she says. “I went home to be with my family\, and we went out West that summer. We had no plan\, just got in the car and drove. It was really good being all together––we all just kind of disappeared for a month.” She sat down to write when she got back to Nashville\, and “One More Hell” came quickly. “The first time I ever played it live\, this stranger in the front row was bawling\,” she says. “It’s a sad song\, but it’s kind of a happy song\, I always say––people just feel it.” \nWhitters takes the only two songs on the album she didn’t write––“City Girl” and “Pocket Change”––and owns them confidently. Her blithe version of “City Girl\,” written by the Wrights\, was featured in the 2015 season ofNashville\, while her interpretation of Mando Saenz’s indignant “Pocket Change” gives the song a droll feminine spin. \nWritten by Whitters alone\, stunner “Low All Afternoon” takes pity on a jilted other woman. Forlorn but commiserative\, the song tells a true story Whitters witnessed a friend endure. “I like to write without a hook in mind sometimes––to just let the song move toward what it’s trying to say\,” she says. “That’s how I approached this one. For about three months\, I’d work on it\, leave it\, and then come back to it. That was a luxury.” \nMartina McBride heard “Low All Afternoon” and recorded the song for her upcoming album\, gifting Whitters with the first cut of her career. When asked about song’s journey\, Whitters is grateful and amazed. “They say this doesn’t happen much anymore––a song written alone\, a waltz\, a ballad––being cut\,” she says. “I feel like I created something real and honest\, and it’s been so rewarding.” \nLately\, Whitters has taken to gigging all over the country. She joined the lineup at the 30A Songwriters Festival for the first time and makes her SXSW debut this spring. She’s opened shows for acts ranging from Randy Houser to Chris Knight\, and is sincerely grateful for every opportunity. “I will play just about anywhere\,” she says with a laugh. “There’s something about getting out on the road and traveling that I just love.” \nWinning over a crowd delivers an inimitable high for Whitters\, who relishes connecting live. “I love performing ‘One More Hell\,’” she says. “You think no one’s listening\, and then the middle of that song\, you see them raise their beer glasses in the air and know that they’re listening and that you’re all on the same page.” \n“I’m a risk taker\,” Whitters says. “My friends always laugh because I’m kind of one extreme or the other. I’m not really a middle ground kind of person. You take these risks\, and then the reward is just…” She trails off for a moment. “I feel like the part that feels so awesome about it afterwards is knowing that you were scared to do it\, but then you did — and it paid off.” \nhttps://haileywhitters.com/ \nEmily Nenni\n \nEmily Nenni has a confession: she didn’t always plan on being a performing artist. “I thought I was just going to be a songwriter\,” she admits. Clearly\, life had something else in store. The singer and guitarist has emerged as one of the freshest and most electrifying voices in Nashville\, with a sound rooted in classic honky-tonk and spiked with serious country\, soul and rock ‘n’ roll fire\, and sweet-and-sassy lyrics that chronicle hard living\, hot nights\, heartbreak and other universal truths about the human condition. Over the past several years she’s enraptured audiences across Music City with sizzling sets in smoky bars and clubs\, honing her command of the stage\, perfecting her skills as a band leader and sharpening an already astute world view\, all of which are on full display on her newest studio album\, Drive & Cry.The record is a marked departure from her previous full-length\, 2022’s celebrated On the Ranch. Whereas that effort saw Nenni uproot herself to lend a hand – and write – while assisting at a ranch in southern Colorado\, Drive & Cry drops the listener smack in the middle of her boisterous and bustling Nashville world. The album kicks off with “Get to Know Ya\,” a honky-tonk rave-up that celebrates the end of the work day and the beginning of a music-filled\, come-what-may night. Nenni busts out her biggest hoops\, jumps into the jeans she can “really only stand up in\,” and heads to the local bar. “Play ‘til the sun’ll come / when the daylight’s done\,” she sings as the instrumental accompaniment races in step behind her. \nFrom there\, Nenni leads into “Greatest Hits\,” a pedal-steel-inflected Dolly Parton-style number in which she tips her hat to underground honky-tonk venue Santa’s Pub\, a dive bar squeezed inside a double-wide trailer that has become her home-away-from-home in Nashville. “When I first came to town\, I was 21 and singing at clubs with folks who were twice my age\,” Nenni recalls of moving to Music City from her native California. “Then a buddy of mine said\, ‘There’s a place where people are making this music that are actually your age\, and where you’d really fit in.’ And that was Santa’s Pub. It’s where I learned that music doesn’t have to be perfect – everybody is just having fun and there’s no judgment. You can show up however you’re feeling that night\, have a good time and be surrounded by friends.” \nA stellar cast of those friends stepped up to assist Nenni on Drive & Cry\, beginning with producer John James Tourville of New West labelmates the Deslondes. “He brought in half the musicians and I brought in half\,” Nenni says. “And he gave me so much space to make the record that I wanted to make.” \nIt’s a record that is her most personal to date. Save for an album-closing cover of Terry Allen’s classic “Amarillo Highway” (a staple of her Sunday-night sets at Santa’s)\, Nenni penned the remainder of the dozen tracks entirely on her own. “It’s the first time I’ve done that\,” she says. “I had a few weeks alone at my house in Nashville\, and I just sat with all my thoughts and feelings from the last couple years and put it all down. So this is an album that’s truly ‘me.’ ” \nThe results put the full range of Nenni’s singular musical voice on display\, from the soaring “Changes\,” influenced by her love of Sixties girl groups\, to the swampy\, strutting empowerment anthem “I Don’t Have to Like You\,” in which she declares “I’m a grown-ass woman and I don’t trust a word you coo.” There’s also the Tina Turner homage “I Don’t Need You” (“Got my own boots to fill and you know I will\,” Nenni assures)\, the wistful\, late-night honky-tonk ode “We Sure Could Two Step\,” and the playful title track\, in which\, over a tight country-funk groove\, Nenni jokes\, “Don’t you worry ‘bout me / I’m gonna have a bawl.” It’s a lighthearted lyric\, but one that is\, like everything on the album\, true to Nenni’s life. “I do actually cry a fair bit\, and I love to do it while I’m driving\,” she admits. \nNenni will have plenty of opportunities for that in the near future\, as she plans to take Drive & Cry on tour\, far and wide. “I love to be on the road\,” she says. “I love to be with my buds\, I love to play shows\, and I love to make people happy and make people cry with my music. That’s what truly makes me happy\, too.” \nNenni laughs. “So I maybe never thought I’d be a performer\, but I sure am glad that I am. \nhttps://www.emilynenni.com/
URL:https://b1047.com/concert/hailey-whitters-with-special-guest-emily-nenni/
LOCATION:Knuckleheads\, 2715 Rochester Ave.\, Kansas City\, MO\, 64120\, United States
ATTACH;FMTTYPE=image/jpeg:https://b1047.com/wp-content/uploads/2025/09/HaileyEmily25450.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250924T193000
DTEND;TZID=America/Chicago:20250924T230000
DTSTAMP:20260404T093756
CREATED:20250909T143212Z
LAST-MODIFIED:20250909T143212Z
UID:362800-1758742200-1758754800@b1047.com
SUMMARY:Nittty Gritty Dirt Band's John McEuen & co-founder Les Thompson and friends "The Life I've Picked!"
DESCRIPTION:Under 21 with Guardian\n\nJohn McEuen\, a Southern California Orange County high school student\, he thought his teenage dream job in Disneyland’s Magic Shop (at 16 years old) was “as good as it gets”. He and lifelong high-school friend both got that 1963 job (magic shop co-worker\, Steve Martin) and at 18 music came along. After seeing Missouri bluegrass group The Dillards\, John headed towards his new dream: make magic with music\, and get on the radio. Leaving Garden Grove for Hollywood\, dream became a reality more than imagined it could be! \nContinually performing since 1964\, he joined Les Thompson in 1966 as they put together the Nitty Gritty Dirt Band\, a relationship that would last 50 years – over 11\,000 concerts\, 300 television shows\, 10\,000 interviews. \nIn 1971\, John initiated the landmark Will the Circle be Unbroken* album by asking musical mentors Earl Scruggs and Doc Watson to record with NGDB; then\, his brother Bill (manager\, record producer) invited Merle Travis. It grew\, with Earl’s help\, to inviting Mother Maybelle Carter\, Jimmy Martin\, Roy Acuff\, ‘Bashful’ Brother Oswald\, Vassar Clements\, and Norman Blake to a Nashville studio\, hooking them up with Nitty Gritty Dirt Band\, for 5 magic hot August days of recording. (John is featured in episode 6 of Ken Burns – Country Music). The now multi-platinum “Circle” is honored both by Library of Congress and the Grammy Hall of Fame. * “One of the most important records to come out of Nashville…” Chet Flippo\, Rolling Stone \nIn 2010\, Folk Alliance Organization presented McEuen the Best in the West Award solo performer; hia rich history preserving original and traditional folk music earned the 2013 Charlie Poole Lifetime Achievement Award. \nNGDB was inducted in to Colorado Music Hall of Fame 2015. In addition to John’s numerous solo accolades\, Multi-instrumentalist McEuen (banjo\, guitar\, mandolin\, fiddle\, dobro\, piano\, dulcimer)\, recognized as a founding member and outstanding performer\, departed the end of the 50th year anniversary tour Oct. 22\, 2017. He covers it all in his highly praised book The Life I’ve Picked on Chicago Review Press\, published April\, 2018. \nMcEuen has made over 46 albums (7 solo) that have earned CMA and ACM awards\, an Emmy film score nomination\, IBMA record of the year award\, five platinum and six gold records\, multiple Grammy Awards and nominations\, and performed on another 25 albums as guest artist. John’s production of Steve Martin – The Crow won the 2010 Best Bluegrass Album Grammy. \nhttps://www.johnmceuen.com/
URL:https://b1047.com/concert/nittty-gritty-dirt-bands-john-mceuen-co-founder-les-thompson-and-friends-the-life-ive-picked/
LOCATION:Knuckleheads\, 2715 Rochester Ave.\, Kansas City\, MO\, 64120\, United States
ATTACH;FMTTYPE=image/jpeg:https://b1047.com/wp-content/uploads/2025/09/johnmceuen25450.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250919T203000
DTEND;TZID=America/Chicago:20250919T230000
DTSTAMP:20260404T093756
CREATED:20250909T162215Z
LAST-MODIFIED:20250909T162215Z
UID:362857-1758313800-1758322800@b1047.com
SUMMARY:Marty Stuart & His Fabulous Superlatives
DESCRIPTION:Country Music Hall of Famer\, five-time Grammy-winner\, and AMA Lifetime Achievement honoree Marty Stuart picks up where he left off on Altitude\, his first new album in five years\, exploring a cosmic country landscape populated by dreamers and drifters\, misfits and angels\, honky-tonk heroes and lonesome lovers. While it would be easy for an artist as accomplished as Stuart to rest on his laurels\, Altitude instead showcases the work of a searcher with an insatiable appetite for growth and reflection\, one whose ambition\, much like his keen wit and rich imagination\, only seems to grow with each and every release.
URL:https://b1047.com/concert/marty-stuart-his-fabulous-superlatives/
LOCATION:Ameristar Kansas Ciy\, 3200 N. Ameristar Dr.\, Kansas City\, MO\, 64161\, United States
ATTACH;FMTTYPE=image/jpeg:https://b1047.com/wp-content/uploads/2025/09/14073313_AKC_MartyStuart_1200x570.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250919T200000
DTEND;TZID=America/Chicago:20250919T230000
DTSTAMP:20260404T093756
CREATED:20250917T160428Z
LAST-MODIFIED:20250917T160428Z
UID:365014-1758312000-1758322800@b1047.com
SUMMARY:The Red Clay Strays
DESCRIPTION:We are a cashless venue. \nNo oversized bags/backpacks permitted. (With the exception of Medical and Diaper Bags). https://cdarena.info/a-zguide \nPre Party Destination at Carmen’s Cantina and Mexican Grill \nCDA Loyalty Members can pick up a concert poster through the App starting 24 hours before the show! \nDownload our Mobile App for all up to date information and real time updates!
URL:https://b1047.com/concert/the-red-clay-strays/
LOCATION:Cable Dahmer Arena\, 19100 E. Valley View Parkway\, Independence\, KS\, 640555\, United States
ATTACH;FMTTYPE=image/webp:https://b1047.com/wp-content/uploads/2025/09/TheRedClayStrays_1920x1080-ca9485544a.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250918T200000
DTEND;TZID=America/Chicago:20250918T230000
DTSTAMP:20260404T093756
CREATED:20250909T164613Z
LAST-MODIFIED:20250909T164613Z
UID:362900-1758225600-1758236400@b1047.com
SUMMARY:Kolby Cooper
DESCRIPTION:Love You\, Goodnight Tour \nwith Special Guest Luke Borchelt \nAll Ages\nSupport acts subject to change.\nWear your Cotillion merch and jump to the front of the GA line. A limited number of table reservations are available by calling 316-722-4201 or in person at The Cotillion. Coat check is open during events to check your coats\, hats\, merch and more. Coat check is located next to merch by the front doors. All sales are final. No exchanges or refunds unless a show is cancelled or postponed. 
URL:https://b1047.com/concert/kolby-cooper-2/
LOCATION:The Cotillion\, 11120 W. Kellogg St.\, Wichita\, KS\, 67209\, United States
ATTACH;FMTTYPE=image/jpeg:https://b1047.com/wp-content/uploads/2025/09/etix-Kolby_368411743934021-1.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250918T193000
DTEND;TZID=America/Chicago:20250918T213000
DTSTAMP:20260404T093756
CREATED:20250909T140734Z
LAST-MODIFIED:20250909T140734Z
UID:362774-1758223800-1758231000@b1047.com
SUMMARY:McCain Performance Series: Marty Stuart & His Fabulous Superlatives
DESCRIPTION:Born and raised in Philadelphia\, Mississippi\, Marty Stuart got his start in bluegrass legend Lester Flatts’ band at the tender age of 13\, and by 21\, he was recording and touring with Johnny Cash. Across 40-plus years as a solo artist\, he has released more than 20 major label albums\, scoring platinum sales\,hit singles\, and a host of honors including five Grammy wins and membership in theCountry Music Hall of Fame. Known for their honky-tonk and rockabilly edge\, Stuart and His Fabulous Superlatives– guitarist Kenny Vaughan\, drummer Harry Stinson and bassist Chris Scruggs — are Musicians Hall of Fame inductees. \nMarty Stuart and His Fabulous Superlatives are offering a limited exclusive VIP event open to any ticket holder of this show. This event requires a separate ticket purchase and is available as an add-on event on the ticket order form. The cost of this event is $150 plus sales tax and applicable fees. This event does not include a seat to the show. \n“THE COUNTRY STAR” VIP PACKAGE includes: \n\nAdmission to a private pre-show event featuring a two-song performance by Marty and the Superlatives\, along with a question and answer storytelling session with Marty and the band.\nOne (1) VIP laminate and lanyard.\nCrowd-free merchandise shopping\nOne (1) special edition poster
URL:https://b1047.com/concert/mccain-performance-series-marty-stuart-his-fabulous-superlatives/
LOCATION:McCain Auditorium\, 1501 Goldstein Circle\, Manhattan\, KS\, 66502\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250912T200000
DTEND;TZID=America/Chicago:20250912T230000
DTSTAMP:20260404T093756
CREATED:20250909T142835Z
LAST-MODIFIED:20250909T142835Z
UID:362797-1757707200-1757718000@b1047.com
SUMMARY:Sara Morgan & Kelly Hunt
DESCRIPTION:Under 21 with Guardian \nSara Morgan\nSara Morgan has been dazzling country music listeners “in the know” for nearly a decade\, according to “Saving Country Music”.  From the small town of McGehee\, Arkansas all the way to WSM 650 AM in Nashville\, TN\, she has “taken the stairs” on her journey as she meticulously climbed each step while enchanting audiences across America along the way. \nSara emerged in 2018 with her first full length release “Average Jane” at #3 on the Billboard Heatseeker chart and a review of the lead single “The Boots” in Music Row magazine.  A triple threat in that she can play\, sing\, and write\, Rolling Stone’s senior editor\, Joseph Hudak\, dubbed her “one to watch” in 2019 with the release of her first Nashville single\, “Church in a Bar” after seeing her perform the song at the Americana Music Fest that year. \n“Church in a Bar” was produced by critically acclaimed mastering engineer\, Eric Conn and recorded at the legendary Allentown Recording Studio (Garth Brooks’ studio formerly known as Jack’s Tracks) with legendary musicians Eddie Bayers\, Steve Gibson\, Dan Dugmore and the late\, great Michael Rhodes.  Her very first Nashville recording session was star studded and each of her tracks were recorded live right alongside each of those musicians. \nThe release of the live track\, “American Hill”\, in 2022\, a tribute to her late sailor brother\, resulted in her being requested specifically for veterans benefits\, as she is as passionate about supporting American veterans as she is about country music. \nSara has opened for everyone from Ray Wylie Hubbard and John Michael Montgomery to the Eli Young Band\, played theaters and arenas\, personally frequented hundreds of radio stations\, and is set to cement her place in country music this fall with the upcoming single “She Ain’t the Homewrecker (That’s You)”.\n\nhttps://saramorganmusic.com/ \nKelly Hunt\nOn the walls of any local used music shop there hangs a gallery of mysteries. Picked up and handed down across the decades\, each instrument contains the imprints and stories of those who have played it before\, most of which remain untold. For Kansas City-based songwriter Kelly Hunt\, the most intriguing of these stories is the origin of her anonymous calfskin tenor banjo. “I really wasn’t looking for it\,” she says\, “but I opened up the case and found a note saying\, ‘This banjo was played by a man named Ira Tamm in his dog and pony show from 1920 to 1935.’ It was unlike any banjo I’d ever heard…so warm and mellow\, with an almost harp-like quality to it\, very soulful”—apt words for the Memphis native’s debut album\, Even The Sparrow\, which was released in May 2019 and nominated for the International Folk Music Awards “2019 Album of the Year.” \nThe daughter of an opera singer and a saxophonist\, Hunt was raised in Memphis\, TN amidst a motley mélange of musical influences ranging from Rachmaninov to Joni Mitchell to Mississippi John Hurt. She grew up singing in choirs\, poring over poetry books\, and writing her own music as a matter of course\, first on piano then 5-string banjo. After being introduced to the banjo in college while studying French and visual arts\, Hunt began to develop her own improvised style of playing\, combining old-time picking styles with the percussive origins of the instrument. After college\, Hunt embarked on a rambling path through career pursuits in farming\, French breadmaking\, and visual arts\, ultimately landing in Kansas City\, where she would go on to write and record Even the Sparrow. \nThis debut work displays Hunt’s penchant for storytelling and intriguing arrangement\, punctuated by articulate melodies and lyrical deft. While reminiscent of modern traditionalists such as Gillian Welch\, Even The Sparrow reveals an ineffable quality that hovers beyond the constraints of genre\, à la Anais Mitchell and Patty Griffin. Over the span of a dozen songs\, Hunt’s penchant for storytelling and intriguing arrangement cast a spell which No Depression describes as “the musical equivalent of a book you can’t put down\, one you’ll want to revisit again and again to catch every nuance and turn of phrase.” \nIn “Men of Blue & Grey\,” what begins as a Reconstruction-era ballad about the repurposing of Civil War glass plate negatives in a greenhouse roof soon becomes a meditation on the hope that growth and life may one day be able to emerge from the ruins of suffering and haunting of violence. “Across The Great Divide” turns an otherwise traditional accounting of spurned love into a philosophical epic of the ethics offorgiveness and freedom\, evoking the ideas of Søren Kierkegaard and Walt Whitman. \nAs for the original owner of Kelly Hunt’s mysterious tenor banjo\, not much is known. “I’ve never been able to find anything about Ira Tamm\,” she says\, “I think he just had a humble little traveling show.” What’s clear is that the itinerant performer laid down his banjo at the height of the Great Depression\, almost eighty years before it would be picked up by Hunt. “That banjo has stories. I wish I knew them all\,” says Hunt\, though the banjo’s most intriguing story may just be beginning with Even The Sparrow. “The marks of Ira’s hands are still in the calfskin head\, so I can see where he played and left his mark\,” she says. “Now my own marks are there too\, in different places\, like a kind of portrait.” \nProduction is currently underway on Kelly’s sophomore album “Ozark Symphony\,” produced by Dirk Powell at his Cypress House Studio in St. Martinville\, LA. \nhttps://www.kellyhuntmusic.com/
URL:https://b1047.com/concert/sara-morgan-kelly-hunt/
LOCATION:Knuckleheads\, 2715 Rochester Ave.\, Kansas City\, MO\, 64120\, United States
ATTACH;FMTTYPE=image/jpeg:https://b1047.com/wp-content/uploads/2025/09/kellysara25450.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250912T080000
DTEND;TZID=America/Chicago:20250912T230000
DTSTAMP:20260404T093756
CREATED:20250909T140943Z
LAST-MODIFIED:20250909T141005Z
UID:362776-1757664000-1757718000@b1047.com
SUMMARY:Kolby Cooper
DESCRIPTION:Doors Open 6PM | Show 8PM \n\n\n\n\n\nJoin us for a live performance from Kolby Cooper at PBR Big Sky in Kansas City on Friday\, September 12. \nMust be 21+ to attend. \n\n\n\nStill hailing from East Texas\, Kolby Cooper is raising his 3 children with his high school sweetheart and wife\, Jillian. After releasing his critically acclaimed album “Boy From Anderson County To The Moon”\, he made his Grand Ole Opry debut. Marking 4 years in the music business. In that time\, he’s garnered millions of streams and sold out shows across the country. The prolific songwriter has an uncanny ability to turn his and his friends’ life stories into relatable songs his rabidly zealous fanbase can’t get enough of. Kolby’s latest release through BBR Music / Wheelhouse Records in partnership with Combustion Music “Kill Me” is an in your face anthem with epic vocals and fiery instruments. This is a new era of Kolby Cooper music.
URL:https://b1047.com/concert/kolby-cooper/
LOCATION:Power And Light\, 13 Grand Blvd\, Kansas City\, MO\, 64106\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250911T193000
DTEND;TZID=America/Chicago:20250911T230000
DTSTAMP:20260404T093756
CREATED:20250909T142637Z
LAST-MODIFIED:20250909T142637Z
UID:362793-1757619000-1757631600@b1047.com
SUMMARY:Trey Lewis with Special Guest Hayden Haddock
DESCRIPTION:Under 21 with Guardian \nWith a pair of homegrown hits behind him and plenty more in the tank\,\nSony Music Publishing singer-songwriter Trey Lewis has emerged as the\nstraight-talking\, salt-of-the-earth hero country fans crave. A Birmingham\,\nAlabama native known for breaking country’s unspoken rules\, he’s spent 12\nyears on the road perfecting a gritty mix of contemporary country and\nSouthern rock—turning his call-it-like-I-see-it attitude into song. \nAfter his breakout smash\, “Dicked Down In Dallas\,” went viral in 2020\, the\ncheating anthem with a modern punch became an organic Number One on\niTunes\, amassing more than 500 million streams and making Lewis a\nnationwide force. He followed up in 2022 with another self-made iTunes\nNumber One—the back-in-the-saddle anthem\, “Single Again”—and has\ncontinued building a reputation for fusing country horsepower with\nrefreshing honesty and a troubadour’s wit. \nNow\, that reputation expands as a bigger picture comes into focus. A\nperennial underdog and relentless road warrior\, Lewis showcases his true\ncharacter and artistry on his newest single Ain’t Sober. With each track he\nputs out\, he proves that country music could use a few more bold\nstorytellers like him. \nMeanwhile\, the rising star keeps his foot on the gas\, maintaining a\nrelentless tour schedule. More information is available at\nhttps://treylewismusic.com/
URL:https://b1047.com/concert/trey-lewis-with-special-guest-hayden-haddock/
LOCATION:Knuckleheads\, 2715 Rochester Ave.\, Kansas City\, MO\, 64120\, United States
ATTACH;FMTTYPE=image/jpeg:https://b1047.com/wp-content/uploads/2025/09/treylewis450.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250816T183000
DTEND;TZID=America/Chicago:20250816T220000
DTSTAMP:20260404T093756
CREATED:20250815T135018Z
LAST-MODIFIED:20250815T135018Z
UID:357323-1755369000-1755381600@b1047.com
SUMMARY:Bulls\, Bands\, & Barrels feat. Treaty Oak Revival
DESCRIPTION:Bulls\, Bands\, & Barrels (BBB) is the ultimate fusion of western sports and live country music. Fans can expect a full-throttle evening featuring the best in professional bull riding\, lightning-fast barrel racing\, and the heart-pounding thrills of American freestyle bull fighting. Once the dust settles\, the party kicks into high gear with a live concert featuring rising country star Dylan Wheeler followed by headliners Treaty Oak Revival\, one of the hottest bands in the Texas/Red Dirt scene.
URL:https://b1047.com/concert/bulls-bands-barrels-feat-treaty-oak-revival/
LOCATION:Intrust Bank Arena\, 500 E. Waterman\, Wichita\, KS\, 67202\, United States
ATTACH;FMTTYPE=image/png:https://b1047.com/wp-content/uploads/2025/08/BBB-Intrust.png
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250814T183000
DTEND;TZID=America/Chicago:20250814T230000
DTSTAMP:20260404T093756
CREATED:20250813T182918Z
LAST-MODIFIED:20250813T182918Z
UID:356751-1755196200-1755212400@b1047.com
SUMMARY:Hardy – The Jim Bob World Tour
DESCRIPTION:Hardy – The Jim Bob World Tour @ T-Mobile Center \nHardy will make a stop at T-Mobile Center on Aug. 14 on his Jim Bob World Tour with special guests Koe Wetzel\, Stephen Wilson Jr. and Sikarus. Fans can expect high-energy performances\, intimate acoustic sets\, and audience interaction during songs like “Truck Bed\,” “Signed\, Sober You\,” and “Boots”.
URL:https://b1047.com/concert/hardy-the-jim-bob-world-tour/
LOCATION:T-Mobile Center\, 1407 Grand Blvd\, Kansas City\, MO\, 64106\, United States
ATTACH;FMTTYPE=image/jpeg:https://b1047.com/wp-content/uploads/2025/06/Static_Social-Twitter_800x419_HARDY_2025_Regional_TMobileCenter_0814.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250814T170000
DTEND;TZID=America/Chicago:20250814T230000
DTSTAMP:20260404T093756
CREATED:20250813T182612Z
LAST-MODIFIED:20250813T182612Z
UID:356747-1755190800-1755212400@b1047.com
SUMMARY:Aaron Watson
DESCRIPTION:
URL:https://b1047.com/concert/aaron-watson/
LOCATION:Power And Light\, 13 Grand Blvd\, Kansas City\, MO\, 64106\, United States
ATTACH;FMTTYPE=image/jpeg:https://b1047.com/wp-content/uploads/2025/08/Aaron-Watson.jpg
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