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X-WR-CALDESC:Events for B104.7 Manhattan&#039;s Hometown Country Station
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251107T200000
DTEND;TZID=America/Chicago:20251107T230000
DTSTAMP:20260501T120256
CREATED:20250909T165301Z
LAST-MODIFIED:20250909T165301Z
UID:362907-1762545600-1762556400@b1047.com
SUMMARY:Kip Moore
DESCRIPTION:KIP MOORE\nSolitary Tracks Fall Tour \n\nAll Ages\nSupport acts subject to change.\nWear your Cotillion merch and jump to the front of the GA line. A limited number of table reservations are available by calling 316-722-4201 or in person at The Cotillion. Coat check is open during events to check your coats\, hats\, merch and more. Coat check is located next to merch by the front doors. All sales are final. No exchanges or refunds unless a show is cancelled or postponed.  \nKIP MOORE ULTIMATE VIP Q&A EXPERIENCE \nOne premium reserved ticket – OR – One GA standing ticket* \nPrivate pre-show Q&A with Kip Moore** \nGroup photo with Kip Moore \nCelebratory pre-show toast with Kip Moore (where permitted)*** \nLIMITED! Custom Kip Moore Solitary Tracks Tour gift\, only available to Ultimate VIPs \nAutographed handwritten printed lyric sheet\, featuring a special interactive message from Kip Moore \nVIP-exclusive Kip Moore gift item \nOfficial VIP laminate \nTour merchandise shopping opportunity before doors (where available) \nEarly entry to the venue \nDesignated check-in and on-site VIP event staff \n*Location may vary. See specific date for details. \n**All questions may not be answered during Q&A. \n***Local liquor laws apply. \n  \nKIP MOORE VIP Q&A EXPERIENCE \nOne premium reserved ticket – OR – One GA standing ticket* \nPrivate pre-show Q&A with Kip Moore** \nGroup photo with Kip Moore \nCelebratory pre-show toast with Kip Moore (where permitted)*** \nHandwritten printed lyric sheet\, featuring a special interactive message from Kip Moore \nVIP-exclusive Kip Moore gift item \nOfficial VIP laminate \nTour merchandise shopping opportunity before doors (where available) \nEarly entry to the venue \nDesignated check-in and on-site VIP event staff \n*Location may vary. See specific date for details. \n**All questions may not be answered during Q&A. \n***Local liquor laws apply. \n  \nKIP MOORE EARLY ENTRY VIP PACKAGE \nOne GA standing ticket \nOfficial VIP laminate \nEarly entry to the venue* \nDesignated check-in and on-site VIP event staff \n*GA early entry will be AFTER Ultimate VIP Q&A and VIP Q&A Experience package holders
URL:https://b1047.com/concert/kip-moore/
LOCATION:The Cotillion\, 11120 W. Kellogg St.\, Wichita\, KS\, 67209\, United States
ATTACH;FMTTYPE=image/jpeg:https://b1047.com/wp-content/uploads/2025/09/etix-KIP_386221751885550.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251107T203000
DTEND;TZID=America/Chicago:20251107T230000
DTSTAMP:20260501T120256
CREATED:20250909T161634Z
LAST-MODIFIED:20250909T161634Z
UID:362848-1762547400-1762556400@b1047.com
SUMMARY:The Ozark Mountain Daredevils
DESCRIPTION:You do not want to miss this opportunity to see The Ozark Mountain Daredevils\, performing live at the Star Pavilion. With hits like “If You Wanna Get To Heaven” and “Jackie Blue\,” this appropriately dubbed “ragtag collection of hippies\, bohemians\, and musicians of no fixed ambition” will certainly be a night to remember.
URL:https://b1047.com/concert/the-ozark-mountain-daredevils/
LOCATION:Ameristar Kansas Ciy\, 3200 N. Ameristar Dr.\, Kansas City\, MO\, 64161\, United States
ATTACH;FMTTYPE=image/jpeg:https://b1047.com/wp-content/uploads/2025/09/10982016_10982818Fsw_AKC_OzarkMountainDairdevils_Nov8_Sitecore_WEB.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251108T184500
DTEND;TZID=America/Chicago:20251108T230000
DTSTAMP:20260501T120256
CREATED:20250815T134047Z
LAST-MODIFIED:20250815T135103Z
UID:357298-1762627500-1762642800@b1047.com
SUMMARY:Riley Green
DESCRIPTION:Multi-platinum\, multi-award-winning singer-songwriter Riley Green announced the addition of eight new dates to his highly successful Damn Country Music Tour\, including a stop at T-Mobile Center on Nov. 8. \nKnown for his rugged charm and down-to-earth stage presence\, the newly added dates further underscore the overwhelming demand and continued momentum behind Green’s 2024 tour\, as he brings his signature sound and chart-topping hits to fans across North America.
URL:https://b1047.com/concert/riley-green/
LOCATION:T-Mobile Center\, 1407 Grand Blvd\, Kansas City\, MO\, 64106\, United States
ATTACH;FMTTYPE=image/jpeg:https://b1047.com/wp-content/uploads/2025/08/494493223_18498916720036437_899901578354133717_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251111T190000
DTEND;TZID=America/Chicago:20251111T220000
DTSTAMP:20260501T120256
CREATED:20250909T160206Z
LAST-MODIFIED:20250909T160206Z
UID:362833-1762887600-1762898400@b1047.com
SUMMARY:The War and Treaty
DESCRIPTION:Under 21 with Guardian\n\nFounded in 2014 by the husband-and-wife duo Michael Trotter Jr. and Tanya Trotter\, The War And Treaty has emerged as one of the most electrifying new acts in American music. Recently earning their first ever GRAMMY nominations for Best New Artist and Best American Roots Song for “Blank Page\,” they also received this year their first ever Duo of the Year nomination from the Country Music Association\, Vocal Duo nomination from the Academy of Country Music\, plus recognition by the Country Music Hall of Fame\, the Rock & Roll Hall of Fame\, the Grand Ole Opry\, and the Americana Music Association including earning AMA Duo/Group of the Year for the second straight year. \nWith a lionhearted sonic blend\, both roaring with passion and tender to the touch\, The Tennessean notes\, “they are unlike any other act in music.” The War And Treaty’s major label debut album Lover’s Game (Mercury Nashville)\, was met with critical praise with Associated Press claiming\, “The colossally talented pair continue their commando\, no-limits journey to the top of the music world.” Drawing respect across the board\, they have gone on to appear as top-flight collaborators including the latest “Hey Driver” with Zach Bryan. \nThe War And Treaty has captivated audiences across the globe from North America to Europe\, Australia and beyond\, while headlining their own shows and opening for a diverse group of living legends: Al Green\, Brandi Carlile\, Chris Stapleton\, Jason Isbell\, John Legend\, Lauren Daigle\, and Van Morrison among them. \nhttps://www.thewarandtreaty.com/
URL:https://b1047.com/concert/the-war-and-treaty/
LOCATION:Knuckleheads\, 2715 Rochester Ave.\, Kansas City\, MO\, 64120\, United States
ATTACH;FMTTYPE=image/jpeg:https://b1047.com/wp-content/uploads/2025/09/WT_SM-3978_0009_HIres_WEB_FINAL.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251113T200000
DTEND;TZID=America/Chicago:20251113T230000
DTSTAMP:20260501T120256
CREATED:20250909T165611Z
LAST-MODIFIED:20250909T165611Z
UID:362910-1763064000-1763074800@b1047.com
SUMMARY:Alexandra Kay
DESCRIPTION:ALEXANDRA KAY – Second Wind: The Tour \nAll Ages\nSupport acts subject to change.\nWear your Cotillion merch and jump to the front of the GA line. A limited number of table reservations are available by calling 316-722-4201 or in person at The Cotillion. Coat check is open during events to check your coats\, hats\, merch and more. Coat check is located next to merch by the front doors. All sales are final. No exchanges or refunds unless a show is cancelled or postponed.  \nWith over 8.6 MILLION social media followers\, Alexandra Kay\, who starred on Netflix’s series Westside\, holds the rare and extraordinary ability to genuinely connect with audiences by just being her authentic true self via heartfelt melodies\, her “refreshing brand of storytelling…custom-made for the country music genre” (People)\, and her “angelic\, yet soaring vocals” (American Songwriter). Cementing herself as a force to be reckoned with in the industry\, the bright and tenacious rising star that Billboard acclaimed as “an adept\, propitious singer-songwriter\,” dropped her debut album – All I’ve Ever Known – in 2023. The project reached #1 on the iTunes All Genre and Country charts globally and earned her a spot in the Top 10 on Billboard’s Country Album\, Emerging Artist and HeatSeeker charts\, independently. \nNow\, signed to BBR Music Group/BMG Nashville and named to Pandora’s “2025 Artist to Watch: Country” list and CMT’s “Next Women of Country: Class of 2025\,” Alexandra wrapped a milestone 2024 – in which she headlined her own tour\, joined Jelly Roll on his Beautifully Broken Arena Tour where she was taken under his wing and was featured on the GRAMMY-nominated Twisters movie soundtrack. Taking 2025 to the next level\, the captivating songstress is giving a glimpse into her sophomore album\, releasing the sultry\, magnetic anthem “Feminine Energy\,” the starry-eyed romance of “The Last” and the contagiously catchy sing-along “Cupid’s A Cowgirl.” Currently commanding stages worldwide\, she joins Brad Paisley on tour this summer and just opened her own coffee shop\, The Coffee Girl\, in her hometown of Waterloo\, Ill.
URL:https://b1047.com/concert/alexandra-kay/
LOCATION:The Cotillion\, 11120 W. Kellogg St.\, Wichita\, KS\, 67209\, United States
ATTACH;FMTTYPE=image/jpeg:https://b1047.com/wp-content/uploads/2025/09/etix-Alexandra_388801754301805.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251114T203000
DTEND;TZID=America/Chicago:20251114T230000
DTSTAMP:20260501T120256
CREATED:20250909T161321Z
LAST-MODIFIED:20250909T161321Z
UID:362845-1763152200-1763161200@b1047.com
SUMMARY:Midland
DESCRIPTION:Double Grammy® nominees Midland have sought to reintroduce the Western plains\, Laurel Canyon-cum-Bakersfield and Lone Star juke joints to Country music since coming together at a friend’s wedding over common influences and the need for a return to this sort of post-Urban Cowboy Country.
URL:https://b1047.com/concert/midland/
LOCATION:Ameristar Kansas Ciy\, 3200 N. Ameristar Dr.\, Kansas City\, MO\, 64161\, United States
ATTACH;FMTTYPE=image/jpeg:https://b1047.com/wp-content/uploads/2025/09/14575015_AKC_Midland__1200x570.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251115T193000
DTEND;TZID=America/Chicago:20251115T223000
DTSTAMP:20260501T120256
CREATED:20250909T171423Z
LAST-MODIFIED:20250909T171423Z
UID:362930-1763235000-1763245800@b1047.com
SUMMARY:Randy Rogers Band
DESCRIPTION:Few relationships in life are more complicated than those among band members. Music history is filled with stories of the rise and fall of creative personalities\, but the Randy Rogers Band is a unique brotherhood fueled by a shared passion for making great music and a strong commitment to each other. That bond forms the foundation for the new music on their latest album Hellbent\, a high-octane collection of songs buoyed by the same fearless spirit and sense of camaraderie that has made them one of country’s most compelling bands. \nIn a business where bands come and go and membership is often a revolving door\, the Randy Rogers Band has been together for more than 17 years. “Just like any other relationship\, you have to pick your battles and have respect for each other\,” Rogers says. “None of us know how to do anything else. This is our livelihood. It’s how we take care of our families. Years ago when we were really struggling and wondering how we were going to make it\, there were some deep and emotional conversations that we all had with each other about if this is really what we all wanted and the decision was made a long time ago. The answer was yes then and the answer is still yes now.  It’s something we all believe in. This is our life’s work.” \nThe culmination of their musical journey thus far can be heard on Hellbent. \n“Creatively we all bring something different to the table and you can hear it in the records\,” Rogers says. “You can hear people’s personalities in the records.” \nIt’s that blend of unique personalities that have fueled the Randy Rogers Band’s success for nearly two decades. \n“Our bass player\, Johnny Chops\, has this way of writing. It’s a little old school\, a little Waylon-esque if you will. His lyrics aren’t necessarily anything like mine. They are a little bit more vague and more interpretive\,” Rogers says\, bragging on his bandmate. “What Brady Black adds to our makeup is his sensibility on stage\, his appearance\, his energy\, his unique way that he plays the fiddle. He’s a crowd pleaser.” \n“Les Lawless\, our drummer\, has played on hundreds of albums with many different artists. He’s kind of the human metronome. He’s a solid drummer. I can’t recall a mistake he’s ever made on stage. He’s just a rock. Geoffrey Hill [guitar\, vocals] is a very talented musician. He’s a great singer\, a great harmony singer. Most of our sound as a band is because of Geoffrey and his unique vocals and the way he blends his vocals with my vocals.” \nOf course\, the lineup wouldn’t be complete without longtime member Todd Stewart. “There isn’t an instrument that Todd can’t play and he sings well\,” Rogers enthuses. “Onstage he’s playing guitar on one song\, mandolin on the next one\, fiddle on the next one and a piano on the next one and a B3 on the next one. He’s a key part of our band because he fills up all those spots musically that no one else can do like him. It’s fascinating to watch him switch between every song.” \nThat dynamic musical chemistry has taken the Randy Rogers Band beyond the competitive music scene in their native Texas to build a national fan base with sold out shows across the country. The band has become skilled at capturing that live energy and passion on their albums and Hellbent is a perfect example. “We’ve been through this process long enough to know that we wanted this record to be perfect and complete so we kept writing and went back in and we recorded again\,” Rogers reveals. \n“It is important\, especially in today’s day and age\, not to put out content just for the sake of content. People see through that and it’s a big mistake young artists make just to put a video or a new song out just to have something to talk about. There is a lost art to making an entire album\, being a cohesive unit and have it be something that you can stand up and play. We have to record songs we can play live. Ninety nine percent of the income we share is because we’re playing a show\, so those songs can’t be throwaway songs.” \nThe first single\, “Crazy People\,” is a relatable tune that paints a picture of strict parents that weren’t always so straight-laced. “I did not write that song\, however\, I did live that song\, and that’s why I cut it\,” Rogers says with a chuckle. \n“When I heard it\, I could imagine that my parents weren’t always fanatically religious. As a young kid\, I definitely wasn’t comfortable around neon signs or around restaurants where they were serving alcohol. I just thought that was something very\, very bad and that’s what was instilled in my head. It was very\, very much a sin\, so I was a little freaked out when I was a kid. It’s nothing against my parents. Both me and my brother turned out just fine\, but I just think there was this sense of over protection and security and a lot of that was based around the church. So the first thing I did when I turned 16 was tried everything.” \nAnother highlight on the album is “You\, Me and a Bottle\,” penned by Rogers.  ‘I love love songs\, and that song is a carefree kind of love song about kind of getting lost with your significant other\,” Rogers says. \n“The troubles of the world and stresses of the week fade when you are with that one special person. That all disappears. That’s kind of the feel-good song on the album I think and the prettiest love song on the record.” \nOn the other end of the emotional spectrum\, “Anchors Away” is about a man who can’t commit and keeps running from love. “‘Anchors Away’ is a very sad song\,” Rogers admits. “The chorus says\, ‘Anchors away\, works like a charm\, first sign of danger\, I pull the alarm\,’ and the lyrics that really get to me are\, ‘I don’t want to leave\, I don’t know how to stay.’ That lyric to me really paints the picture of somebody who doesn’t know how to love and doesn’t know how to love someone back. Out of all the lyrics on the album\, that lyric might be the most poignant lyric because a lot of times people sabotage themselves and relationships they are in because they don’t know any better because they’ve seen their parents do it or they are just in a cycle repeating the same mistakes. I think that’s a lot of people.” \n“Wine in a Coffee Cup” paints an interesting portrait of a high-powered career woman. “Women have roles in the workplace that are very different than they were maybe 50 years ago\,” Rogers says. “There are a lot of CEOs\, CFOs\, a lot of presidents and vice presidents. Huge companies are run by women. It’s an interesting fact that nobody is perfect and my idea of that song was a CEO of a company walking in every day and everybody thinks she has everything together and her life is perfect\, but in all actuality she is like everybody else. She’s struggling with something. It could be her relationship\, home life or family\, but even the most successful people have flaws\, so that was my take on it. It’s a nod to women and the fact that they are\, in this day in age\, hopefully treated as equals in the workplace but here’s this girl that’s running the company and she’s coming in buzzed every day. That song isn’t about someone I know personally. It’s about the culture and the environment we live in now. I guarantee that that song is happening somewhere.” \n“Hell Bent on a Heartache” is a song Rogers first heard and fell in love with on Guy Clark’s album My Favorite Picture of You.  “I love that album start to finish and that song was my favorite song. Chris Stapleton and his wife\, Morgane\, wrote that with Guy Clark and I had no clue\,” he says. “We were in the studio the week Tom Petty died and on that track especially there is this kind of Heartbreaker kind of feel to that song. It’s produced in a way that Tom Petty and the Heartbreakers would have done it. The influence definitely shines through on this album\, especially on that track.” \nIn recording Hellbent\, the Randy Rogers Band worked with producer Dave Cobb (Chris Stapleton\, The Oak Ridge Boys\, Sturgill Simpson\, Jason Isbell) and recorded at the legendary RCA Studio A. “A large part of the country really enjoys the records that he’s made over the last 10 years and obviously I was paying attention to that\,” Rogers says. \n“I was noticing the albums I was listening to\, and they were produced by him\, so I called him up and asked if we could meet for lunch. I’d never worked with him before\, so it was a very exciting going into RCA and meeting him and the team. We’re very thankful for that opportunity and getting to record in Studio A. So many people whether it be Dolly Parton or George Strait have recorded in that room\, so it was a bit of hallowed ground. It was a little overwhelming as well. There’s pictures all over the walls there of people who recorded. It’s amazing.” \nRecording Hellbent is just the latest chapter in the Randy Rogers Band’s thriving career. In addition to being a gifted vocalist\, insightful songwriter and talented musician\, the band’s founding member is also well known in music industry circles for his business savvy. He graduated from college with a degree in PR and is one of those rare musicians who has great executive skills too. \nRogers is co-owner of several Texas venues including Cheatham Street Warehouse in San Marcos\, Texas where George Strait began building a fan base in his early career. Rogers is also a partner in Big Blind Management with Robin Schoepf and steers the careers of Red Shahan and Parker McCollum. \nRogers seems to have a unique talent for seeing around corners. It’s what drove him to take his band outside of Texas and develop fans on both coasts\, even when the initial investment was risky. “I’m left brain and right brain\,” the Cleburne\, Texas native says. “I’m a very organized person and I can also see six months from now. I’m always thinking a step ahead and it wears my wife out because I’m talking about booking my life months from now. My brain is always spinning and thinking about what is coming next instead of really sitting in a moment. That’s a good thing and sometimes it’s a bad thing that I can never really turn my brain off.” \nRogers is also a big fan of collaboration and has partnered with friend Wade Bowen on the infectious Hold My Beer projects and joined forces with Lone Star legend Robert Earl Keen as the Stryker Brothers. He recently joined Lyle Lovett\, Willie Nelson and Jerry Jeff Walker to sing on Michael Martin Murphey’s Austinology album. \nThough Rogers is prone to eagerly explore other musical avenues\, the core of his creative adventure continues to be the Randy Rogers Band. For Rogers\, Hellbent was the perfect name for the album\, and not just because it comes from one of his favorite songs. \n“The album is named Hellbent and isn’t necessarily for ‘Hell Bent On a Heartache.’ We’re in it for the long haul. We’re lifers\,” he says with a grin. \n“This is obviously our way of life. This isn’t some Johnny-come-lately group of guys. We’re like an oak tree. We’re not going anywhere. We’re not hinged on whether our next single will be a No.1. We’re not hinged on an album topping the charts. We have a great and loyal fan base and we do things right. When we play our shows\, people expect to have a great night and to go home satisfied. As long as we keep doing that\, no change in the industry\, no record deal or anything like that can make or break this band.”
URL:https://b1047.com/concert/randy-rogers-band/
LOCATION:The Stiefel Theatre\, 151 S. Santa Fe\, Salina\, KS\, 67401\, United States
ATTACH;FMTTYPE=image/jpeg:https://b1047.com/wp-content/uploads/2025/09/68a3604c46c0609398a78dfd_RandyRogersBand_smaller-with-date.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251121T200000
DTEND;TZID=America/Chicago:20251121T230000
DTSTAMP:20260501T120256
CREATED:20250909T160402Z
LAST-MODIFIED:20250909T160402Z
UID:362836-1763755200-1763766000@b1047.com
SUMMARY:Southall
DESCRIPTION:Under 21 with Guardian \nVIP Tickets avaialable now!\nDescription of package: \nOne (1) GA Ticket\nMeet & Greet and Photo Opportunity with Southall\nAccess to a Private Acoustic Performance with Southall\nOne (1) VIP Exclusive Poster\nOne (1) Commemorative VIP Laminate\nEarly Merch Shopping Access\nVenue First Entry\n\nRead Southall can sure turn a phrase. “This record is the gasoline for the love machine\,” he says of his band’s new album\, the exhilarating and self-titled Southall. The proud Oklahoma workingman isn’t exaggerating. The record sparks and burns with 11 crank-it-up songs that expertly combine country\, rock & roll\, and the dust and grit of the band’s native Red Dirt scene. \nBut there are also glimpses of hard rock and metal\, along with easygoing back-porch vibes\, the result of a drastic change in the way the group formerly known as the Read Southall Band now makes music: Every member of Southall brings lyrics\, melodies\, and even full songs to the table. “It’s the colors of different people with different influences making music\,” Southall says. “I’ve always been confident in the talents and abilities of the guys onstage with me\, and I want our fans to see and hear that too. That’s why we changed our name to Southall.” \nProduced by Eddie Spear (Zach Bryan’s American Heartbreak) and recorded at Leon Russell’s iconic Church Studio in Tulsa\, Southall manifests the true band album that singer Read Southall first envisioned when he released his debut\, Six String Sorrow\, in 2015. That was a mostly acoustic record\, but Southall\, the band’s fourth album\, roars with raw and loud collaborative power. Reid Barber\, the group’s resident metalhead\, hammers his drums. Bassist Jeremee Knipp provides a brooding low end. Keys player Braxton Curliss adds both tasteful accents and off-the rails barroom piano. And guitarists John Tyler Perry and Ryan Wellman wring wild sounds from their instruments. All of it is tied together by Southall’s scrappy\, yearning voice. \nFirst single “Scared Money” is a slice of Rolling Stones country-rock straight off of Sticky Fingers. Opening with a stabbing guitar lick and written by Barber\, it’s an acknowledgment of hard work and a dogged determination to pay the bills. “That was inspired by my father\, who always told me it’s not about figuring out what you want to do\, it’s about figuring out what you don’t want to do\,” Barber says. “It was written as a country song\, but when we got in the studio it turned into more of a Stonesy jam.” \n“Reid wrote ‘Scared Money\,’ but the lyrics are me to a T: I walked out of class\, straight to the patch\, because no one ever paid me to read\,” says Southall\, who dropped out of school to get a job. “I feel like that’s an Oklahoman mindset\, in the sense that people down here get to work. They get up every morning and do things they don’t want to do to make money and try to get ahead in this crazy life. And it doesn’t matter if you’re going to school\, working in the oil patch\, or farming. It’s all work.” \n“Out Alive\,” meanwhile\, taps into Southall’s harder and more experimental sound and is about the fear of saying\, or posting\, the wrong thing in today’s quick-to-crucify society\, and instead saying nothing at all — “That’s hardly a better option\,” says Barber\, who wrote it. “Out Alive” is a monster and features a squawky guitar solo reminiscent of Jack White or Rage Against the Machine’s Tom Morello played by Wellman using a pen as a slide. “It sounds like air-raid sirens\,” raves Southall. \n“By Surprise\,” meanwhile\, is a study in contradictions\, a song that’s musically simple but probes complex mysteries. “Too many questions too little time/heat of the moment passing you by\,”Southall sings. “Heart of the matter\, hard to define/the universe divine.” “We started playing some basic straightforward rock to make the soul of the song stick out\,” says Barber\, who brought five songs to the recording sessions\, including “By Surprise.” “That’s the song I’m most stoked about. Lyrically\, it’s so big\, in the whole scope of what is being talked about — this life and how we get through it.” \nWhile Southall released three other studio albums\, including their 2017 breakout Borrowed Time\, the band’s namesake regards the records as just the building blocks of Southall’s future. He wrote all of those songs\, including the fan favorite “Why\,” just to get the train moving. Today\, they’re charging ahead. \n“That was my contribution: our back catalog\,” Southall says. “Now\, we have this steam built up and we’re rolling down the tracks\, and I want the guys to all grab a shovel\, load some coal\, and keep us rolling.” \nThe six-piece has been up to the challenge. Their song “Stickin’ n Movin’\,” off 2021’s For the Birds\, appeared on the CBS series Fire Country\, and they’ve established themselves as a band you need-to-playlist on the streaming services: Southall have more than 133 million streams on Spotify and more than 101 million on Apple Music\, with nearly 1 million monthly listeners across all platforms. \nIt’s not only the success story of a band\, but of a region\, according to Southall\, who was first inspired to write and sing country songs after having a revelation while working on a farm. “I grew up at a really cool time when country music was good in the Nineties\, and I spent a lot of radio time on the tractor. So whatever was happening in country music then was in my ears\,” he says. “But then country started to change and became more about partying. That’s when I thought\, ‘I could represent my people better than this.’” \nTo Southall\, that meant writing about work\, and he sells that message hard in the rambunctious “Get Busy (Till It’s Done)\,” a centerpiece of the album and one of its most ferocious tracks. “They say anything worth having is worth fighting for/and I know that is true\,” he howls. “It’s gonna take a little time\, a little grind\, to get what’s coming to you.” “My dad always said to me\, ‘You’re not just going to sit there on your pockets and do nothing. That still rings true to me\,” Southall says. “Work is what makes you who you are.” For Southall the band\, that work began a long time ago — and it’s about to pay off in a big way. \nhttps://www.officialsouthall.com/ \nVip Fine Print\nAll package elements will be rendered invalid if resold. Name changes will be issued at the sole discretion of 237 Global. VIP instructions will be sent via email no later than three days (3) prior to the concert. If you do not receive this email three days (3) prior please email info@237global.com. All packages and contents are non-transferable; no refunds or exchanges; all sales are final. All VIP package items and experiences are subject to change. Please note that the information provided at the time of purchase (e-mail and mailing address) is the same information that will be utilized for individual contact requirements where applicable. 237 Global\, the artist\, tour\, promoter\, ticketing company\, venue or any other affiliated parties are not responsible for outdated or inaccurate information provided by the consumer at the time of purchase. If you have any questions regarding your VIP package elements\, or have not received your package information within three days (3) of the concert date\, please email info@237global.com.
URL:https://b1047.com/concert/southall/
LOCATION:Knuckleheads\, 2715 Rochester Ave.\, Kansas City\, MO\, 64120\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251121T200000
DTEND;TZID=America/Chicago:20251121T230000
DTSTAMP:20260501T120256
CREATED:20250909T165748Z
LAST-MODIFIED:20250909T165748Z
UID:362913-1763755200-1763766000@b1047.com
SUMMARY:Casey Donahew
DESCRIPTION:
URL:https://b1047.com/concert/casey-donahew/
LOCATION:The Cotillion\, 11120 W. Kellogg St.\, Wichita\, KS\, 67209\, United States
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